A Touch of Sanguine
Untitled, 2018, graphite and watercolor on paper, 14 1/2 x 6 inches
The finished product is this piece which I admit was a very freeing experience. I let the watercolor run and do its thing and then pulled shapes out of it until I arrived at this composition. The use of watercolor with other drawing media is not a new concept, for hundreds of years artists have been using this technique, but I have never tried it myself. It's a new thing for me and I think there will be more of this approach to drawing in the near future.
Untitled, 2018, oil pencil on paper, 14 1/2 x 6 inches
I must admit, I think I'm mastering this thing, perhaps not like Michelangelo, but better than my past experiences. Besides, I don't think anyone could get to the level of the Divine Michelangelo, he was one of a kind.
Speaking of Buonarroti, and his contemporaries, the drawings they were doing then were created using a natural red chalk, which over time it came to be known as the color sanguine because of its resemblance to dried blood. These natural chalks had a warm orange intensity which I love, but it has been very hard to find something in modern drawing materials that would resemble it. I think the modern counterparts look more like dried blood than the original chalks.
Then I found Cretacolor's sanguine oil pencil and it was closer to the orange earth tone I like. All manufactures use different red earths to make their sanguine pencils, trying to find one that comes close to the natural red chalks of the Renaissance can be very tricky. Although I'm enjoying this Cretacolor sanguine I'm still on the look out for a warmer tone. If anyone out there knows of a brand or two that has the color quality I'm looking for please leave a comment and share the wealth.
Untitled, 2018, oil pencil on paper, 14 1/2 x 6 inches
In the meantime, I leave you with recent drawings and their process photos…all this talk about red chalks and sanguine is giving me an idea for a follow up post…stay tuned.
Comments
I have always been convinced that my favorite color is green, but surprisingly, it is ocher and sanguine that attract my attention, and I use them especially recently when I want to draw something, also in nature outdoors. If you are looking for "your" favorite sanguine color, I recommend Conte a Paris - they offer several different shades and temperatures. I have a few, but I discovered CretaColor and I use it the most, also because it comes in sticks that I can slip into the comfortable, non-messy pen holder. This frees you from sharpening wooden crayons, which can be troublesome, especially outdoors. I don't have much experience drawing with a red crayon, but everyone who sees the colors of my sanguine drawings is delighted. Sanguine, unlike dry blood, has a life in him that is difficult to find in a graphite pencil. best regards : )
The BEST Red Chalk,
is on Koh-I-Noor Red Chalk pencils, that they also make in 5.6mm leads for their 5.6mm lead holders, like the 5340. (It works excellent with the Red Chalk, it became my alltime favorite pencil and I own them all...) (Koh-I-Noor calls it Russet Sepia on the 5.6mm form, however their wooden pencils, are sold as "Red Chalk")
It's not my personal opinion, it is both the best color and the best formula, on any Sanguine (Red Chalk)pencil out there! It isn't soft and very waxy, the feel is something between oil with a tiny bit of feedback, similar to a Pastel. They hold their sharp tips forever and you can add a lot of different pressures or passes, to apply most tones, than those you have ibn a full graphite pencil set!!
Easily the best sketching pencil I've ever used!!! ( I use the 5.6mm leads, that only cost 2.90 euro, for 6 leads!!! So, it's also the best value on any pencil out there. Best quality, best performance, best price!!! I'm in love as you guessed, you'll be too, trust me..