A Painter's Worst Nightmare
For years I have managed to dodge the bullet of varnishing nightmares, and every time I have to varnish a piece I do it very cautiously and with fear. A little bit of patience goes a long way too, and to my luck I have never had issues with dripping or uneven spots. I always tell people use a soft brush and you should be fine.
Unfortunately this was not my lucky day with varnish. Last night, for some reason I felt rushed to varnish a number of paintings and this morning as I walked into the studio I come across this dripping horror on my most cherished painting. I spent almost three years working on this still life and in one night I managed to ruin it.
Varnishing paintings on panel can be tricky because they show more imperfections and brush strokes than a work on canvas. Knowing this I tried varnishing this painting flat. After noticing I had missed a few spots I added more varnish on top with a little turpentine to reactivate the first layer so that both layers could meld together and not look blotchy in the final outcome. I knew it was too much varnish but I felt that keeping the painting flat would level it out, and it did at first. Besides, I was using a retouch varnish which tends to dry thinner than damar varnish.Labels: On the Pan, process, studio, varnish
0 Comments:
Post a Comment
Subscribe to Post Comments [Atom]
Links to this post:
Create a Link
<< Home